I continue to be fascinated by the story of the Nazi-era Gurlitt art-hoard, discovered in Munich several years ago. Among other things, this episode serves as a reminder (more-or-less Gadamerian) that a “collection” is precisely an embodiment of an historical taste and eye–that is, in conjunction with the political and other conditions under which it was collected. As opposed, I mean, to the fake universalism of the places we call museums. The pieces this guy Gurlitt, a crypto-Jewish modernist, kept for himself and his family while dealing for Hitler–how precious he must have considered them! And judging from the examples we’ve seen, he was right. Ask me, the collection should be put on permanent display, *without* being broken up. I think that would be an unparalleled resource for understanding modernism, Nazism, and much more. You see: everything this guy, through collecting, was himself trying to understand! (Yes, that’s a real word in the title. It means this post.)

Author: JD Fleming

I am Professor of English Literature at Simon Fraser University in Vancouver, BC. My work is in the intellectual history of the early-modern period (1500-1700), with a special interest in epistemic issues around the emergence of modern natural science (the "Scientific Revolution"). Philosophically, for me, these issues are subsumed in hermeneutics.

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